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Born on 24/09/1985, in Vila Velha, Espírito Santo, Brazil
Beholder of Brazilian and German citizenships
Height: 1.76m (5.77 ft) | Weight: 76kg
Skin: White | Hair: Wavy Brown | Eyes: Brown
*****
GRADUATION
Bachelor degree in Dramatic Arts – habilitation in acting – by the Rio de Janeiro’s State Federal University (UNI-RIO), since 2006.
AUTHORIAL WORKS
“Brazil Exposed”, created by Fernanda Vizeu and Peter Boos. At central exhibition of the art festival 48 Stunden Neukölln, with the theme S.O.S. – Art Saves the World. Berlin, June 2015;
“Eu Virei um Jornal” (I Became a Newspaper). Facebook, 2015;
Text “Arquitetura, escadas e Santos Dumont: sobre a arte de elevar” (Architecture, stairs and Santos Dumont: about the art of raising), written to order for the online platform Homify;
Performance Art “Catracacatraca”, created in partnership with the performer artist Fernanda Vizeu (2014);
“Trocam-se as máscaras”, collective text written for the project Viagem Nestlé Pela Literatura, directed by Jorge Luiz de Paula. Coqueiral, Aracruz (?);
Parody of prayer “O Credo” (The Apostle’s Creed), for presentation at the Arraial Popcorn, written in partnership with Lorena Furieri , Breno Fonseca , Barbara Paula Plaster Eggerth. Aracruz , Espírito Santo (2000).
WORK AS ACTOR IN THEATER
“Elis, A Musical” (Elis, The Musical), text of Nelson Motta, direction of Dennis Carvalho, produced by Aventura Entretenimento. Rio de Janeiro and São Paulo, 2013-2014;
“Os Sapos” (The Frogs), text of Renata Mizrahi, her direction in partnership with Priscila Vidca. Rio de Janeiro, 2013;
“Ralé” (The Lower Depths), written by Maxim Gorki, directed by Leonardo Hinckel. Rio de Janeiro, 2013;
“O Banqueiro Anarquista” (The Anarchist Banker), from Fernando Pessoa’s tale, direction of Fernando Lopes Lima. Rio de Janeiro (2012-2013);
“Os Trabalhadores do Mar” (Toilers of the Sea), from the novel of Victor Hugo, direction of Diego Molina. Rio de Janeiro (2012-2013);
“A negra Felicidade” (The Black Happiness), direction and dramaturgy of Moacir Chaves. Rio de Janeiro (2012);
“O Retorno ao Deserto” (Return to the Desert), text of Bernard-Marie Koltès, direction of Moacir Chaves. Rio de Janeiro (2011);
“Labirinto” (Labyrinth), with texts of Qorpo-Santo and direction of Moacir Chaves. Rio de Janeiro, Curitiba and Recife (2011);
“Joaquim e as Estrelas” (Joaquim and the Stars), juvenile play of Renata Mizrahi, direction of Diego Molina. Rio de Janeiro, São Luís and other cities of Rio de Janeiro’s State (2010-2012);
“Festa de Família” (The Celebration), from Dogma 95, direction of Bruce Gomlevsky. Rio de Janeiro and São Paulo (2009-2010);
“Ecos da Inquisição” (Inquisition Echoes), text of Miriam Halfim, direction of Moacir Chaves. Rio de Janeiro (2009-2010);
“Macbett”, text of Eugène Ionesco, directed by Diego Molina. Rio de Janeiro (2009);
“O Jardim das Cerejeiras” (The Cherry Orchard), text of Anton Chekhov, direction of Moacir Chaves, with Deborah Evelyn as Liubov Andreievna. Rio de Janeiro (2008);
“Macbeth”, text of William Shakespeare, direction of Moacir Chaves. Rio de Janeiro (2007);
“Édipo Rei” (Oedipus the King), text of Sophocles, direction of Diego Molina. Rio de Janeiro and Blumenau (2006-2007);
“Eu, Vampiro?” (I, Vampire?), collective creation directed by Diego Molina. Rio de Janeiro, 2006;
“Kantan”, dance-theater play with text of Yukio Mishima, directed by Dinah Kleve. Rio de Janeiro and Campos do Jordão, 2004;
“Samba, Choro e Poesia” (Samba, Choro and Poetry), text and direction of Maristela Trindade. Rio de Janeiro, 2004;
“Romeo and Juliet” by William Shakespeare, directed by Renata Josely and Marise Pontes Marques. Coqueiral, Aracruz, (1999?);
“Só Fachada”, collaborative street play presented on the reopening of Santa Cruz’s Church, directed by Jorge Luiz de Paula. Santa Cruz, Aracruz (?);
“Santo Inquérito” (Holy Inquiry) by Dias Gomes, directed by Jorge Luiz de Paula. Coqueiral, Aracruz (?);
“Luz, crônicas, ação… Palmas para Veríssimo!”, with texts of Luis Fernando Veríssimo, directed by Jorge Luiz de Paula. Coqueiral, Aracruz (?);
“A descoberta das cores além do arco-íris”, text and direction of Jorge Luiz de Paula. Coqueiral, Aracruz (?).
WORKS AS ACTOR IN DRAMATIZED LECTURES
Lecture of the play “O dia em que matei o Super Homem” (The day when I killed Superman), written by Edvard Vasconcellos, directed by Joaquim Vicente. Rio de Janeiro, 2014;
Lecture of the play “Ralé” (The Lower Depths), written by Maxim Gorki, directed by Leonardo Hinckel. Rio de Janeiro, 2013;
Lecture of “A Volta ao Lar” (The homecoming), written by Harold Pinter, directed by Bruce Gomlevski, in Midrash Cultural Center. Rio de Janeiro, 2013;
Lecture of the play “Maria Cachucha”, on occasion of the reopening of Teatro Serrador, in memory to the first theatrical play to be presented in the theater, in 1940. Rio de Janeiro, 2012;
Lecture of the play “Allegro Desbundaccio”, written by Oduvaldo Vianna Filho, directed by Diego Molina, as part of the lectures circle of Teatro Serrador. Rio de Janeiro, 2012;
Lecture of the play “Silêncio” (Silence) written by Renata Mizrahi, in Manguinhos Library. Rio de Janeiro, 2012;
Lecture of the play “O Banqueiro Anarquista” (The Anarchist Banker), from Fernando Pessoa’s tale, direction of Fernando Lopes Lima, in Midrash Cultural Center. Rio de Janeiro, 2012;
Lecture of the play “O Voo dos Pássaros Selvagens” (The Flight of Wild Birds), of Aldomar Conrado, directed by Leonardo Hinckel, as part of the lectures circle of Teatro Serrador. Rio de Janeiro, 2012;
Lecture of the play “A carne exausta”, written by Cassio Pires, directed by Danielle Martins de Farias. Teatro Serrador, Rio de Janeiro, 2012;
Lecture of the play “Ana de Ferro”, written by Miriam Halfim, directed by Moacir Chaves, in Casa da Gávea’s Lectures Circle. Rio de Janeiro, 2010;
Lecture of the play “Kiev”, written by Sergio Blanco. Directed by Moacir Chaves for the project Dramaturgies, of CCBB-Rio, with mediation of Roberto Alvim. Rio de Janeiro, 2009;
Lecture of the play “A mais-valia vai acabar, seu Edgar”, written by Oduvaldo Vianna Filho, directed by Renata Mizrahi, in Casa da Gávea’s Lectures Circle. Rio de Janeiro, 2008;
Lecture of the play “Um Sete Uns”, with text of Ana Carolina Sauwen and Karen Liberman, directed by Sura Berditchevsky. Rio de Janeiro, 2006.
WORKS AS ACTOR IN VIDEO
Played Leo in the short-film “O Broto”, directed by Isadora Boschiroli, produced by ECO-UFRJ (in Rio de Janeiro, 2014);
Special participation in TV Globo’s (Brazil’s biggest television channel) soap operas:
“Malhação” (2012),
“Araguaia” (2011),
“Viver a Vida” (2009);
Participation in the serie “Inglês em Trânsito” (English in Transit), Episode 3, produced by Segunda-Feira Filmes and Cena Tropical. Rio de Janeiro, 2011;
Main character of the film “Broken Glass”, shor-film of Renata Bacellar de Nazareth, (in 2010, PUC-Rio, Rio de Janeiro);
Actor in “Uma certa nota lá”, shor-film directed by Vivian Maia, in 2007.
PERFORMANCES AND DANCE WORKS
Performance Art “Catracacatraca”, created in partnership with the performance artist Fernanda Vizeu (2014);
Open air performance with texts of Fr. Antonio Vieira, directed by Moacir Chaves for the inauguration of Father Antonio Vieira’s bust in PUC-Rio Campus. Rio de Janeiro, 2011;
Featured as the character The Aviator, before the Little Princess’s row, during Salgueiro Samba School’s parade with the title “Endless Stories”. Rio de Janeiro, 2010;
Presentation of the short theatrical play “Nós Amamos Otto Lara” (We love Otto Lara), based on Nelson Rodrigues’s text “Cute, But Ordinary”. Directed by Diego Molina and presented on MOLA, free arts festival in Circo Voador, Rio de Janeiro (2005);
Participation as actor-dancer on Viradouro Samba School’s parade of 2005. Featured representing The Devil, on the plot group of Middle Age, under direction of Miguel Santa Brígida. Rio de Janeiro;
Actor-dancer in the first float of Alegria da Zona Sul Samba School’s parade of 2005, in a performance representing Teatro Rival. Rio de Janeiro;
Actor-dancer in the float Auto do Círio, in Viradouro Samba School’s parade, directed by Miguel Santa Brígida. Rio de Janeiro, 2004;
Master of Ceremony in Desculpa para Beber’s carneval parades, in the years 2008 and 2007, in Rio de Janeiro;
Master of Ceremony in Que Merda é Essa?’s carnival parades, in the years 2007, 2006 and 2005, in Rio de Janeiro;
Master of Ceremony in Bloco du Rival’s carnival parades, in the years 2004, 2003 and 2002, in Santa Cruz, Aracruz;
Protagonist on the dance show “Homem ∈ Natureza”, created by Colégio Pitágoras. Coqueiral, Aracruz (?);
Scenic and choreographic participation on the dance show “Reflexes and Reflections”, created and directed by Marise Pontes Marques. Coqueiral, Aracruz, 2001;
Scenic and choreographic participation on the dance show “Amavios”, created and directed by Marise Pontes Marques. Coqueiral, Aracruz (?);
Scenic and choreographic participation on the dance show “Espetáculo Brincante”, created and directed by Marise Pontes Marques. Coqueiral, Aracruz (?).
DIRECTION ASSISTANCES IN THEATER
Direction Assistant in the play “Divórcio – Retrato em Preto e Branco” (Divorce – White and Black Portrait), with text and direction of Edvard Vasconcellos, Rio de Janeiro (2006?);
Direction Assistant in the play “Édipo Rei”, (Oedipus the King), text of Sophocles, directed by Diego Molina, Rio de Janeiro (2007).
VIDEO CREATIONS
Creation of animation and video projection for the play “Aquelequemelê”, created and directed by Carolina Virgüez. Rio de Janeiro, 2014;
Projections for the play “Sem Falsidades”, idealized and directed by Marcio Freitas. Rio de Janeiro (2011);
Video recording and edition of the trailer for the play “Sem Falsidades”, idealized and directed by Marcio Freitas. Rio de Janeiro (2011);
“Barroso, aos 80”, short interview movie with Lysis Barroso, of own direction and edition, in response to the film “Lysis Barroso, 70 anos”. Exhibited in the celebration party of his 80 years, Rio de Janeiro (2009);
“A incrível e inacreditável história da grande abdução em massa na famosa e exotica cidade do Rio de Janeiro” (The incredible and unbelievable story of the great mass abduction in the famous and exotic city of Rio de Janeiro), 1 minute short-film created in partnership with André Stock and Elisa Pinheiro, in Rio de Janeiro (2008);
“Entrevista com a Vampira” (Interview with the vampire), short movie of own direction, with the actress Camila Nhari, inserted in the theatrical play “Eu, Vampiro?”, with direction of Diego Molina. Rio de Janeiro (2006);
“Lysis Barroso, 70 anos”, long documental movie with the story of Lysis Barroso, exhibited in the occasion of his 70th birthday, in Rio de Janeiro (1999).
WORKS AS PRODUCER
Owner of BP Criaçoes Artísticas, a cultural production company situated in Rio de Janeiro;
Part of administration team of Teatro Serrador, in Rio de Janeiro (2011-2012);
Producer of the “Workshop for actors – Moacir Chaves and Alfândega 88”, conducted by Moacir Chaves and the company Alfândega 88 in cities of Rio de Janeiro’s State (2012);
Co-idealizer and part of the project Alfândega 88 /// Artistic Residence in Teatro Serrador, winner of Shell Award 2013 (Special Category), in which the company reopened and occupied Teatro Serrador, historical theater in Rio de Janeiro’s downtown (2011-2012);
Part of the production team of the theater company Alfândega 88 from 2011 to 2012;
Cultural Coordinator in Baukurs Cultural, where was responsible by the opening of the cultural center (2010);
Assistant Coordinator of Scenic Arts in the V Bienal of Arts and Sciencies of UNE (2007).
WORKS AS GRAPHIC DESIGNER
Currently Artistic Director of Star Palco Magazine, with monthly publications, in Rio de Janeiro, since 2012;
Creation of publicity pieces for the play “Aquelequemelê”, created and directed by Carolina Virgüez. Rio de Janeiro, 2014;
Typesetting of the book “O dia em que matei o Super Homem” (The day when I killed Superman), written by Edvard Vasconcellos. Rio de Janeiro, 2014;
Graphic art for the workshop of Clarice Assad and Andrea Santiago “VOXploration em cena”. Rio de Janeiro, Brasília, Fortaleza and Salvador, 2013;
Graphic art for the play “O Banqueiro Anarquista” (The Anarchist Banker), with text of Fernando Pessoa, directed by Fernando Lopes Lima. Rio de Janeiro, 2013;
Graphic Art for the play “Os Trabalhadores do Mar” (Toilers of the Sea), text of Victor Hugo, direction of Diego Molina Mendes. Rio de Janeiro, 2012;
Graphic Art for the play “O homem que queria ser Rita Cadillac” (The man who wanted to be Rita Cadillac). Rio de Janeiro (2013);
Graphic art for the workshop “Aurélio de Simoni e Alfândega 88 – Scene Backstage”, produced by Alfândega 88 in cities of Rio de Janeiro’s State (2013);
Graphic creator of all publicity art for the project Alfândega 88 /// Residência Artística no Teatro Serrador” (Alfândega 88 /// Artistic Residence in Teatro Serrador), in Rio de Janeiro, produced by Alfândega 88 (2012-2013);
Creation of graphic art for the project “Oficina para Atores – Moacir Chaves e Alfândega 88” (Workshop for actors – Moacir Chaves and Alfândega 88), conducted by Moacir Chaves and the company Alfândega 88 in cities of Rio de Janeiro’s State (2012);
Assistant of Mauricio Grecco in the creation of the graphic art for the play “A negra Felicidade” (The Black Happiness), created and directed by Moacir Chaves (2012);
Creation of graphic art for the play “À Gaivota” (The Seagull), with the text of Anton Chekhov, directed by Maíra Kestenberg. Rio de Janeiro (2012);
Graphic art for the project of circulation of the play “Lasanha e Ravioli in Casa”, created by Ana Barroso and Monica Biel, in cities of Rio de Janeiro’s State (2012);
Assistant in the execution of the graphic art for the play “Return to Desert”, with text of Bernard-Marie Koltès and direction of Moacir Chaves (2011);
Graphic art for the play “Lasanha e Ravioli in Casa”, created by Ana Barroso and Monica Biel. Rio de Janeiro, 2011;
Artistic conception, artistic direction and typesetting of the book “Os Trigêmeos em uma Aventura no Zoo”, written by Edvard Vasconcellos, with original illustration of Andreas Boos. Rio de Janeiro and Aracruz, 2011;
Graphic art for the play “Não matei mas sei quem fui”, written by César Amorim and directed by Diego Molina. Rio de Janeiro, 2010;
Graphic art for the play “A Bela Adormecida por Lasanha e Ravioli”, created by Ana Barroso and Monica Biel. Rio de Janeiro, Natal, Brasília, Teresina and São Luís, 2009;
Graphic art for the play “Um dia Anita”, written by Renata Mizrahi and Julia Spadaccini. Rio de Janeiro, 2008;
Graphic art for the monthly program of Teatro Municipal Maria Clara Machado, during the year of 2008;
Graphic art for the project “Encontros de Humor”, with general direction of Diego Molina. Rio de Janeiro (2007);
Graphic art for the play “Édipo Rei” (Oedipus King), text of Sophocles, directed by Diego Molina. Rio de Janeiro and Blumenau (2007);
Graphic art for the play “Um Sete Uns”, written by Ana Carolina Sauwen and Karen Liberman, directed by Sura Berditchevsky. Rio de Janeiro (2006);
Creation of logo to Companhia Teatro Independente, Rio de Janeiro (2005);
Graphic art for the play “Kantan”, text of Yukio Mishima, directed by Dinah Kleve. Rio de Janeiro and Campos do Jordão, 2004;
Graphic art for the play “Samba, Choro e Poesia” (Samba, Choro and Poetry), written and directed by Maristela Trindade. Rio de Janeiro, 2004;
Graphic art for the play “O Santo e a Porca”, text of Ariano Suassuna, directed by Jorge Luiz de Paula. Coqueiral, Aracruz, 2002;
Graphic art for the play “Santo Inquérito”, text of Dias Gomes, directed by Jorge Luiz de Paula. Coqueiral, Aracruz, 2002.
TECHNICAL EXPERIENCE IN THEATER
Particular assistant of Aurélio de Simone, one of the greatest theatrical Light Designers in Brazil, during the project Alfândega 88 /// Residência Artística no Teatro Serrador (Alfândega 88 /// Artistic Residence in Teatro Serrador), when the company reopened e occupied Teatro Serrador, historical theater in Rio de Janeiro’s downtown. The team was responsible for the renewal of 5km of electrical lines, repair of 150 reflectors, insertion of new light and setting sticks, creation of a light cabin in the theater and maintenance and management of stage machinery, light equipment and scenery. Rio de Janeiro (2011-2012);
Participation in the workshop of Aurélio de Simoni “Fundamentos da Iluminação Cênica” (Scenic Lighting Fundaments), in 2012. Rio de Janeiro;
Sound operation for the annual theatrical productions with children of Ana Paula Ceccopieri and Anna Paula Lima, from 2004 to 2010, in Rio de Janeiro;
Sound operation of the play “Procura-se Lúcia”, with the actor Andy Gercker, in Rio de Janeiro (2012);
Video assembly and operation in the Festival Carioca de Cinema de Curta-metragem dos Amigos Teatrais (Carioca Theatrical Friends’s Short Film Festival), realized by Diego Molina, Letícia Medella and Vinícius Arneiro. Rio de Janeiro, 2008;
Light operation of the play “O Santo e a Porca”, text of Ariano Suassuna, directed by Jorge Luiz de Paula. Coqueiral, Aracruz, 2002.
COURSES OR WORKSHOPS
Workshop for creative support of the play “The Black Happiness”, with Moacir Chaves (Rio de Janeiro, 2011);
Workshop with Qorpo Santo’s texts, conducted by Moacir Chaves (in 2010, Rio de Janeiro);
Workshop “Reading of texts”, with Moacir Chaves, in Baukurs Cultural (Rio de Janeiro, 2010);
Workshop about the text “Macbeth” of William Shakespeare, conducted by Moacir Chaves, (in 2007, Rio de Janeiro);
Regular Course and Intensive Workshop of acting for television and movies in Artcênicas – conducted by Antônio Amancio and Roumer Canhães (in 2005 and in 2009, in Rio de Janeiro);
Classes in Teatro Tablado, with Bia Junqueira (in 2003, Rio de Janeiro).
SINGING EXPERIENCE
Weekly individual classes with the vocal coach, singer and actor Danilo Timm;
In 2013-2014 sang in the musical play “Elis, A Musical” (Elis, The Musical), directed by Dennis Carvalho, production of Aventura Entretenimento, in Rio de Janeiro and São Paulo;
In 2012-2013, singing classes with the musical director and singing teacher Felipe Habib (in Rio de Janeiro);
From 2010 to 2012 took part of the Baukurs Choir, in Rio de Janeiro, with conduction of Lina Santoro;
In 2005 had singing classes in the Acting Course of UNIRIO, with the teacher Helder Parente;
In 2004, sang in the play “Samba, Choro e Poesia” (Samba, Choro and Poetry), directed by Maristela Trindade, Rio de Janeiro.
Took part from 2000 to 2003 of the Encantar Choir, in Aracruz, ES.
PUBLICATIONS
Digitalization to e-Book format of all written work of Oduvaldo Vianna Filho, in the project entrusted by his widow Maria Lúcia Vianna and executed by Carolina Godinho, Diego Molina and Peter Boos. Rio de Janeiro, 2005;
Contemporary Performance Art Almanac 2015: publication of the work “Catracacatraca”, performance art created by Fernanda Vizeu and Peter Boos;
Contemporary Performance Art Almanac 2015: publication of texts to describe the work “Sem Título ou E as pessoas na sala jantar” (Untitled or And the people in the dinning room), performance art created by Ariane Hime and Fernanda Vizeu.
PARTICIPATION IN ENCOUNTERS AND FESTIVALS
Participation with the installation “Brazil Exposed” of the group exhibition Signale, central place of the art festival 48 Stunden Neukölln, in 2015 with the theme S.O.S. – Art Saves the World. Berlin, June 2015;
Visitor during all program of the II Venice International Performance Art Week, in 2014;
Participation on the dramatized lectures program of Midrash Cultural Center, reading the plays: “A Volta ao Lar” (The homecoming), text of Harold Pinter, directed by Bruce Gomlevski, in 2013, and “O Banqueiro Anarquista” (The Anarchist Banker), from Fernando Pessoa’s tale, direction of Fernando Lopes Lima, in 2012. Rio de Janeiro;
Participation of the VII Maranhão Theater Week, as actor in the play “Joaquim e as Estrelas” (Joaquim and the Stars), text of Renata Mizrahi, direction of Diego Molina. São Luís, 2012;
Participation of the dramatized lectures program of the project Alfândega 88 /// Residência Artística no Teatro Serrador (Alfândega 88 /// Artistic Residence in Teatro Serrador), reading the plays: “Ralé” (The Lower Depths),texto of Maxim Gorki, directed by Leonardo Hinckel (2013); “Maria Cachucha”, directed by Fernando Lopes Lima (2012); “Allegro Desbundaccio”, written by Oduvaldo Vianna Filho, directed by Diego Molina (2012); “O Voo dos Pássaros Selvagens”, of Aldomar Conrado, directed by Leonardo Hinckel, (2012); “A carne exausta”, written by Cassio Pires, directed by Danielle Martins de Farias. (2012);
Participation of the XIV Recife Festival of National Theater, as actor in the play “Labirinto”, texts of Qorpo Santo, direction of Moacir Chaves. Recife, 2011;
Participation of the Curitiba Theater Festival 2011, as actor in the play “Labirinto”, texts of Qorpo Santo, direction of Moacir Chaves. Curitiba;
Participation of the project “Dramaturgias”, organized by CCBB Rio, mediation of Roberto Alvim, with the lecture of the play “Kiev”, directed by Moacir Chaves. Rio de Janeiro (2009);
Participation of the Casa da Gávea’s Lectures Circle, reading the plays: “O dia em que matei o Super Homem” written by Edvard Vasconcellos, directed by Joaquim Vicente (2014); “Ana de Ferro”, written by Miriam Halfim, directed by Moacir Chaves (2010); “A mais-valia vai acabar, seu Edgar”, written by Oduvaldo Vianna Filho, directed by Renata Mizrah (2008); “Um Sete Uns”, with text of Ana Carolina Sauwen and Karen Liberman, directed by Sura Berditchevsky (2006). Rio de Janeiro;
Participation on the Festival de Cinema de Curta-metragem dos Amigos Teatrais (Carioca Theatrical Friends’s Short Film Festival), realized by Diego Molina, Letícia Medella and Vinícius Arneiro, with the film “A incrível e inacreditável história da grande abdução em massa na famosa e exótica cidade do Rio de Janeiro”, created in partnership with André Stock and Elisa Pinheiro, in Rio de Janeiro (2008);
Participation of the CCBB Student Theater Show, as actor in the play “Édipo Rei” (Oedipus King), text of Sophocles, direction of Diego Molina. Rio de Janeiro, 2007;
Participation of the Blumenau Theater Festival 2007, as actor in the play “Édipo Rei” (Oedipus King), text of Sophocles, direction of Diego Molina;
Participation of the festival Riocenacontemporânea, as actor in the play “Édipo Rei” (Oedipus King), text of Sophocles, direction of Diego Molina. Rio de Janeiro, 2007;
Participation of the festival Riocenacontemporânea, as actor in the play “Eu, Vampiro?” (I, Vampire?), collective creation with direction of Diego Molina. Rio de Janeiro, 2006;
Participation of MOLA (Free Arts Show), in Circo Voador, with the short-play “Nós amamos Otto Lara”, from the play of Nelson Rodrigues “Cute, But Ordinary”, directed by Diego Molina. Rio de Janeiro, 2005.
PARTICIPATION IN GROUPS
Actor, producer and graphic designer in Alfândega 88, theatrical company directed by Moacir Chaves, from 2011 to 2013. Rio de Janeiro;
Collaborator as actor in many projects of the theatrical company Teatro de Nós, owned by Diego Molina and Renata Mizrahi;
Actor and producer in the amateur theater group Fazendo Cena, directed by Jorge Luiz de Paula, from 1999 to 2002. Coqueiral, Aracruz;
Participant of the dance group Crescer I, directed by Marise Pontes Marques, from 1998 to 2000. Coqueiral, Aracruz.
AWARDS
Idealizer and integral part of the project Alfândega 88 /// Residência Artística no Teatro Serrador (Alfândega 88 /// Artistic Residence in Teatro Serrador), winner of Shell Award 2013 (most important theater prize in Brazil) in the Special Category, in which the company reopened and occupied Teatro Serrador, historical theater in Rio de Janeiro’s downtown;
Awards of Best Direction and Best Title to the 1 minute short-film “A incrível e inacreditável história da grande abdução em massa na famosa e exótica cidade do Rio de Janeiro” (The incredible and unbelievable story of the great mass abduction in the famous and exotic city of Rio de Janeiro), created in partnership with André Stock and Elisa Pinheiro, in the Carioca Theatrical Friends’s Short Film Festival, realized by Diego Molina, Letícia Medella and Vinícius Arneiro. Rio de Janeiro, 2008;
Honorable Mention for the acting in the play “Édipo Rei” (Oedipus the King), text of Sophocles, directed by Diego Molina, given by the Student Theater Festival in Banco do Brasil’s Cultural Center (in 2007);
besides awards to projects of which participated.
LANGUAGES
PORTUGUESE, mother language;
ENGLISH, reading, writing, listening and speaking excellent;
GERMAN, reading, speaking, writing and listening good (level B2);
SPANISH, reading and listening excellent, speaking good and writing good.